1977 fender musicmaster full#
The Buyer shall forthwith or as soon as possible after the sale, (a) supply his name and address, (b) supply, if so required, bank or other suitable references, (c) pay the full purchase price in a way acceptable to the Auctioneer, notwithstanding any prior arrangement for advance payment required by the Auctioneer, and (d) on proof of payment clear the lots purchased by the times specified. It is the responsibility of the Seller to ensure any reserves are received by the Auctioneer. Lots put up for sale are subject, (a) to any reserve price imposed by the Seller, (b) the right of the Auctioneer to bid on behalf of the Seller, and (c) where no reserve has been imposed (but in no other case) for the Seller to bid personally or through any one agent.
The Auctioneer has sole discretion, (a) to refuse any bid, (b) to advance the bidding as he may decide, (c) to withdraw or divide any lot or combine one lot with another or others, (d) to exclude any person from the auction rooms, and (e) to require pre-payment in full. In the case of a dispute the Auctioneer may either declare the purchaser or put the lot up again. The Buyer shall be the person making the highest bid which is acceptable to the Auctioneer as signified by the fall of the hammer.
1977 fender musicmaster registration#
Upon successful registration for an auction, there is a £1 authorisation charge, which will be shown in the registrant's bank account as a ’Pending’ charge before the charge drops off in a couple of days
1977 fender musicmaster plus#
Online bidding is available via Gardiner Houlgate Live bidding at An Internet surcharge of 2.5% plus VAT will be levied on all items purchased via Gardiner Houlgate Live They must rely solely on their own skill or judgement as to whether lots are fit for any particular purpose.Īll bids made shall be treated as offers made upon these Conditions of Sale and all persons present are admitted to a sale on the basis that they have notice of these Conditions. Buyers are given ample opportunity at viewing times to examine lots to be sold and will be assumed to have done so.
Lots sold are likely to have been subject to wear and tear caused by user or the effects of age and may therefore have faults and imperfections. The Auctioneer acts only as agent for the Seller (unless otherwise specifically declared). Having said this, there are a lot worse guitars out there, and as well as being historically important, the 1820 bass can certainly provide the goods when required.Internet Conditions of Sale - Buyer's Terms & Conditions of Sale Over the course of the 70s, the Japanese output improved dramatically, and in many ways these early 70s models are a low point for the brand. These new Epiphones were based on existing Matsumoku guitars, sharing body shapes, and hardware, but the Epiphone line was somewhat upgraded, with inlaid logos and a 2x2 peghead configuration. The Matsumoku factory had been producing guitars for export for some time, but the 1820 bass (alongside a number of guitar models and the 5120 electric acoustic bass) were the first Epiphone models to be made there. By the end of the 1960s, a decision had been made to move Epiphone guitar production from the USA (at the Kalamazoo plant where Gibson guitars were made), to Matsumoto in Japan, creating a line of guitars and basses significantly less expensive than the USA-built models (actually less than half the price).
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